Rentak Kudo Tradition at the Walimatul 'Ursy Event of the Kerinci Community in the Perspective of 'Urf

Siti Mardiyah

doi:10.15548/alahkam.v15i2.10479

Rentak Kudo Tradition at the Walimatul 'Ursy Event of the Kerinci Community in the Perspective of 'Urf

Siti Mardiyah

Abstract

This study aims to analyze the perspective of Islamic law on the tradition of Rentak Kudo performed during wedding celebrations (walimatul ursy) in the Sitinjau Laut District, Kerinci Regency. Employing qualitative field research, data was gathered through interviews with respondents and secondary sources, including relevant scholarly works. The findings reveal that Rentak Kudo is a traditional art form originating from Hamparan Rawang, which has undergone significant changes in its performance, particularly in music and other elements. These changes have resulted in two versions: the traditional Rentak Kudo and its modern, modified counterpart. From an Islamic legal perspective, the tradition is categorized as urf fasid (corrupt custom) due to its negative aspects, such as the mixing of men and women and other practices that contradict Islamic principles. While Islam permits entertainment in wedding celebrations, it must adhere to the boundaries of Sharia. This study highlights the need for balancing cultural preservation with adherence to Islamic values, emphasizing that while traditional art forms are significant to local identity, they should not contravene religious teachings.

Keywords

Rentak Kudo Tradition, ‘Urf, Walimatul ‘Ursy

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References

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DOI: https://doi.org/10.15548/alahkam.v15i2.10479